Cinema grade premiere3/10/2023 ![]() ![]() Each dot represents the grayscale of your clip, and in this way, it is not too dissimilar from the Histogram. The Waveform monitor displays the dynamic range between your black and white points. By watching the vectorscope between images, you can tell how different color distribution is. The vectorscope is super handy for comparing shots when you need to create a consistent grade. Like the sample image shows, the shot mainly contains blues and oranges/reds, based on the spread across the center of the vectorscope. The Vectorscope shows the color distribution in your clips. By watching the Histogram, we can ensure that our shot is not too under or overexposed. We can see from our example that most of the pixels in our shot fall between 75 and 90% Luma, and very few fall into the shadows. The Histogram displays the Luma Value to Pixels ratio the numbers across the bottom represent the percentage of Luma, while the graph line represents the number of pixels in the clip at that Luma percentage. While you can’t prevent the difference between monitors, the scopes will allow you to be sure your colors and exposure are within the correct range. If, for example, you are grading on a screen that is a little brighter than average, your clips might look different on another screen. The scopes tell us the actual color and exposure of your clips, rather than what we see. ![]() All grading tools and scopes display information the same way, with your highlights represented at the top and your shadows at the bottom. You can turn on your Video Scopes by going to View > Show in Viewer > Video Scopes.Īll grading is divided into 3 elements, your highlights, mid-tones, and shadows. They look a little confusing and can be challenging to understand if you’ve never used them before. The Scopes are panels available in Final Cut Pro that show you the color information in your shots.
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